一线希望
扎克瑞·莱维,乔什·杜哈明,昆汀·普莱尔,泰伦斯·特雷尔,马歇尔·库克,乔贝兹·威廉姆斯,弗罗瑞安娜·利马,杰西卡·布莱克莫尔,普里亚·贾恩,詹姆斯·马丁·凯利,施特菲·塔凯,Armida Lopez,里森·亚历山大,Chris Dingli,Davina Reeves,Edward De Gaetano,Tucker Sparkman,杰·佩斯,George C. Owens
扎克瑞·莱维,乔什·杜哈明,昆汀·普莱尔,泰伦斯·特雷尔,马歇尔·库克,乔贝兹·威廉姆斯,弗罗瑞安娜·利马,杰西卡·布莱克莫尔,普里亚·贾恩,詹姆斯·马丁·凯利,施特菲·塔凯,Armida Lopez,里森·亚历山大,Chris Dingli,Davina Reeves,Edward De Gaetano,Tucker Sparkman,杰·佩斯,George C. Owens
陈勋奇,曾志伟,张敏
丝柯James Lance Bass,阿曼达·贝尼斯,乔纳森·班耐特Jonathan Bennett,佛莱德·威拉特,吉米-林·辛格勒 Jamie-Lynn Sigler
翠西亚·希弗,爱德华·詹姆斯·奥莫斯,玛丽·麦克唐纳,朴敏庆,Stephanie Jacobsen
何熙维,马国伟,段琼,赵东飞,沃志强,李桃
米开朗基罗·安东尼奥尼
迈克尔·温特伯顿
尔冬什
特瑞吉列姆
埃尔马诺·奥尔米
叶伟信
王家卫
王君正
巴莱特·奥利佛,玛丽·贝丝·赫特,迈克尔·麦基恩,Kathryn Walker
萨玛拉·维文,埃里克·迪恩,雷·尼科尔森,吉米·费尔斯,阿尔芭·巴普蒂斯塔,凯瑟琳·拉夫·哈格奎斯特,帕特里克·考克斯,Terence Kelly,马修·德尔·贝尔·贝鲁兹,比利·马格努森,Yasmeen Kelders
旺卓措,久巴,卓杰泽仁,泽王拉姆,落周求吉尼玛
埃米尔·赫斯基,因巴尔·拉维,伊安·蒂阿尔,亚当·切赫曼,Edward Foy,Chris Cope,乔希·布莱克,乔什·祖克曼,尤金·里皮斯基,达里亚斯·布莱克,Pam Kearns,Tori Griffith,Brad Abramenko,迈克尔·本耶尔,Boris Bilic,马特·布朗,Reid Anthony Cronin,阿亚斯·达尔曼,Rebecca Dykstra,Craig Erickson
影片追随两位牛津大一新生,Miles(麦克斯·艾恩斯)以及Alistair(《饥饿游戏》男星山姆·克拉弗林),他们加入“骚乱俱乐部”(Riot Club)的过程和经历。根据电视特辑所说,骚乱俱乐部成员不到十人,都是精英中的精英,而要进入这个精英团体可不容易,随后的片段中,Alistair 就喝下了一杯,加了烟头、蠕虫等各种难以想象的恶心“佐料”的红酒。 影片改编自2010年火爆伦敦的剧作“Posh”,骚乱俱乐部的原型据说是牛津大学著名的布灵顿俱乐部(Bullingdon Club),英国许多政要,包括首相卡梅伦,伦敦市长鲍里斯·约翰逊都是其中成员。其奢华的晚宴,以及狂暴的“入会仪式”,比如在学校餐厅和寝室“打砸抢”等,也同样出名。
In a small, remote village in upstate Quebec, things have changed. Locals are not the same anymore - their bodies are breaking down and they developed an outlandish attraction for flesh.
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
邱淑贞,郑丹瑞,郑裕玲,叶德娴,朱江,黎小田,文隽,黎彼得,程东,陈慧仪,苑琼丹,李兆基,刘松仁
何雨宸,贺刚,邱俊龙,许诺,雷琨,张宸彬,徐喆,朱嘉镇
三船敏郎,菅原文太,大谷直子,佐分利信,片冈千惠藏 ,西村晃,山本由香利,佐藤庆,远藤太津朗,高桥悦史,二宫小夜子,渡边文雄,仲谷升,金子信雄,小池朝雄,东惠美子,稻叶义男,小林稔侍,待田京介,真野玲,樱町弘子,志贺胜,铃木瑞穗,寺田农,安部彻
彼得洛·卡斯特里图,朱莉娅·米切利尼,安德烈·阿坎杰利,Pierluigi Gigante,爱德华多·佩谢,克劳迪奥·桑塔玛利亚,奥罗拉·乔维纳佐,法比齐奥·费拉卡尼,Mauro Aversano,弗朗切斯科·拉·曼蒂亚,Michael Schermi,Carlo Tozzi
米盖尔·赫尔南,哈维尔·古铁雷斯,赫苏斯·卡罗萨,Catalina Sopelana,费尔南多·特赫罗,哈维·萨兹,Víctor Castilla,Alfonso Lara,Iñigo de la Iglesia,伊尼戈·阿兰布鲁,Javier Lago,哈维尔·贝尔特兰,Aimar Vega,Julián Valcárcel,Nacho Marraco
钟楚红,林青霞,叶倩文,郑浩南,午马,张国强,秦沛,谷峰,曾江,吴君如
马特·弗里沃,托德·芬内尔,安柏·戈德法布,Gang Zhao,浦蒲,Yuan Fang,Luke Zhi Gang Liu,Peng Zhen Zhong,Eddy Yihua Lin,Xiaolong Ding,Cui Yue Ming,Matthew Bloomfield,Hai Bin,Joseph Cannell,凯洱,徐峥
马特·达蒙,斯嘉丽·约翰逊,托马斯·哈登·丘奇,艾丽·范宁,派屈克·福吉特,科林·福特,麦琪·伊丽莎白·琼斯,斯特芬妮·斯佐斯塔克
曾志伟,钟楚红,吴耀汉,胡枫,何思嘉,秦沛,秦祥林,黄韵诗
京町子,大木实,川口浩,叶顺子,三岛雅夫,目黒幸子,中条静夫,久里千春
未知
泰勒·克奇,浅野忠信,亚历山大·斯卡斯加德,蕾哈娜,布鲁克琳·黛克,哈米什·林克莱特,连姆·尼森,彼特·麦尼科,约翰·图伊,杰西·普莱蒙,杰瑞·费拉拉,亚当·戈德利,路易斯·隆巴迪,史蒂芬·毕肖普,Doug Penty,乔什·平茨,彼得·博格,菲尔·尼尔森,Dustin Watchman,德鲁·劳施,竹内东,比尔·斯汀奇康布,加里·格鲁布斯,大卫·詹森,乔·克里斯特,比利·斯洛特,格里夫·弗斯特,克里·卡希尔
Alanna LeVierge,Nina Kiri,Adam Christie,Kate Fenton,Michael Lipka,Brooke Henderson,Glen Reid,Deborah Jayne Reilly Smith,Kyle Hytonen,Paul McGinnis,Eric Picard
尼古拉斯·凯奇,温迪·麦丽登·康薇,拉塞尔·布兰德,丹尼斯·欧哈拉,肯·马里诺,保罗·谢尔,托比·哈格雷夫
Arif Jakup,Agush Agushev,Aksel Mehmet,Dora Akan Zlatanova,Selpin Kerim,Atila Klince,Elhame Bilal,Metin Ibrahim,Tamer Ibrahim,Adem Karaga,Nadzi Shaban